Tim Anderson is a British/German conductor based in London. Born in 1992, Tim studied at the Junior Guildhall School of Music, London, and at New College, Oxford University, where he held the Joan Conway Scholarship in performance studies as a conductor and an instrumental scholarship as a pianist. At 21, his career began when the late Gerard Mortier invited him to join the music team and conduct performances at the Teatro Real, Madrid. Having spent a number of years working as a repetiteur, he now enjoys an active international career working with many of Europe’s great opera houses and orchestras.
Upcoming engagements include Tim’s debut with the Birmingham Contemporary Music Group in a concert at the CBSO Centre, Birmingham; work with Nevill Holt Opera as Associate Conductor for the 2019 season (Cosi fan Tutte and A Midsummer Night’s Dream); Gerald Barry The Intelligence Park at the Royal Opera House Covent Garden; assisting on Die Entführung aus dem Serail at the Glyndebourne Festival. In March 2019, Tim will also participate in a masterclass with legendary Finnish conductor and pedagogue Jorma Panula at the Panula Academy in Helsinki.
Tim recently conducted the 30th anniversary production of Mark-Anthony Turnage's Greek in eight performances at the Arcola Theatre, London, as part of Grimeborn 2018. The critically acclaimed production was directed by Jonathan Moore (co-librettist and original director). In early 2019, Tim worked on the music team for the world premiere of Gavin Higgins’s opera ‘The Monstrous Child’ at the Royal Opera House, Covent Garden. In 2018 Tim assisted Nicholas Kok on the UK premiere of Kevin Puts's Pulitzer Prize-winning Silent Night at Opera North, assisted Vladimir Jurowski on Das Rheingold with the London Philharmonic Orchestra, assisted Nicholas Carter on Brett Dean's Hamlet at the Adelaide Festival, returned to Glyndebourne to play Madama Butterfly with Omer Meir Wellber and assisted Ian Ryan on Powder Her Face with Nevill Holt Opera.
After graduating in 2013, having lead performances of Hänsel und Gretel in the Sheldonian Theatre, Oxford, Tim was invited to join the music staff of the Teatro Real, Madrid by the late Gérard Mortier. There he conducted a production of Harányi's L'Histoire du petit tailleur as part of the Teatro Real's education programme, and worked as assistant conductor on a programme of Wagner selections with Till Drömann, who then invited him to assist on a Junge Oper production of Dvorak's Rusalka at Oper Stuttgart. In Madrid, he also worked as repetiteur on productions of Tristan und Isolde (Marc Piollet/Peter Sellars), Alceste (Ivor Bolton/Krzysztof Warlikowski) and Lohengrin (Hartmut Haenchen/Lukas Hemleb). Tim performed before the international press in concerts preceding Tristan und Isolde (Wagner's Wesendonck Lieder with Lithuanian soprano Ausrine Stundyte) and the world premiere of Charles Wuorinen's Brokeback Mountain (Wuorinen's solo piano work Heart Shadow).
After returning to the U.K. in 2014, Tim joined the staff of the English National Opera as a trainee repetiteur, working on productions of Otello (Edward Gardner/David Alden), The Marriage of Figaro (Jaime Martin/Fiona Shaw), La Fanciulla del West (Keri-Lynn Wilson/Richard Jones) and the world stage premiere of John Adams's The Gospel According to the Other Mary (Joana Carneiro/Peter Sellars). Since then, after working with Ivor Bolton on Handel's Saul (Barrie Kosky), Tim has become a regular member of music staff at Glyndebourne for both Festival and Tour. As assistant conductor, Tim worked with Pablo González on Don Giovanni for Glyndebourne Tour 2016, and as a repetiteur/coach and orchestral pianist, productions include the Tour revival of Saul (with Laurence Cummings), Luke Styles's Macbeth (Jeremy Bines/Ted Huffman), and Brett Dean's new Hamlet (Vladimir Jurowski in the Festival and Duncan Ward for the Tour/Neil Armfield). Beyond Glyndebourne, Tim has worked as assistant conductor to David Parry at Garsington Opera on Will Tuckett's production of L'Italiana in Algeri and to Nicholas Chalmers and Ian Ryan on Thomas Adès's Powder Her Face with Northern Ireland Opera in Belfast and at Nevill Holt Opera. In 2017, Tim also worked as musical assistant on Zesses Seglias's To the Lighthouse at the Bregenzer Festspiele and returned to Belfast to assist Nicholas Chalmers on Così Fan Tutte.
Please get in touch for a full CV.
Upcoming engagements include Tim’s debut with the Birmingham Contemporary Music Group in a concert at the CBSO Centre, Birmingham; work with Nevill Holt Opera as Associate Conductor for the 2019 season (Cosi fan Tutte and A Midsummer Night’s Dream); Gerald Barry The Intelligence Park at the Royal Opera House Covent Garden; assisting on Die Entführung aus dem Serail at the Glyndebourne Festival. In March 2019, Tim will also participate in a masterclass with legendary Finnish conductor and pedagogue Jorma Panula at the Panula Academy in Helsinki.
Tim recently conducted the 30th anniversary production of Mark-Anthony Turnage's Greek in eight performances at the Arcola Theatre, London, as part of Grimeborn 2018. The critically acclaimed production was directed by Jonathan Moore (co-librettist and original director). In early 2019, Tim worked on the music team for the world premiere of Gavin Higgins’s opera ‘The Monstrous Child’ at the Royal Opera House, Covent Garden. In 2018 Tim assisted Nicholas Kok on the UK premiere of Kevin Puts's Pulitzer Prize-winning Silent Night at Opera North, assisted Vladimir Jurowski on Das Rheingold with the London Philharmonic Orchestra, assisted Nicholas Carter on Brett Dean's Hamlet at the Adelaide Festival, returned to Glyndebourne to play Madama Butterfly with Omer Meir Wellber and assisted Ian Ryan on Powder Her Face with Nevill Holt Opera.
After graduating in 2013, having lead performances of Hänsel und Gretel in the Sheldonian Theatre, Oxford, Tim was invited to join the music staff of the Teatro Real, Madrid by the late Gérard Mortier. There he conducted a production of Harányi's L'Histoire du petit tailleur as part of the Teatro Real's education programme, and worked as assistant conductor on a programme of Wagner selections with Till Drömann, who then invited him to assist on a Junge Oper production of Dvorak's Rusalka at Oper Stuttgart. In Madrid, he also worked as repetiteur on productions of Tristan und Isolde (Marc Piollet/Peter Sellars), Alceste (Ivor Bolton/Krzysztof Warlikowski) and Lohengrin (Hartmut Haenchen/Lukas Hemleb). Tim performed before the international press in concerts preceding Tristan und Isolde (Wagner's Wesendonck Lieder with Lithuanian soprano Ausrine Stundyte) and the world premiere of Charles Wuorinen's Brokeback Mountain (Wuorinen's solo piano work Heart Shadow).
After returning to the U.K. in 2014, Tim joined the staff of the English National Opera as a trainee repetiteur, working on productions of Otello (Edward Gardner/David Alden), The Marriage of Figaro (Jaime Martin/Fiona Shaw), La Fanciulla del West (Keri-Lynn Wilson/Richard Jones) and the world stage premiere of John Adams's The Gospel According to the Other Mary (Joana Carneiro/Peter Sellars). Since then, after working with Ivor Bolton on Handel's Saul (Barrie Kosky), Tim has become a regular member of music staff at Glyndebourne for both Festival and Tour. As assistant conductor, Tim worked with Pablo González on Don Giovanni for Glyndebourne Tour 2016, and as a repetiteur/coach and orchestral pianist, productions include the Tour revival of Saul (with Laurence Cummings), Luke Styles's Macbeth (Jeremy Bines/Ted Huffman), and Brett Dean's new Hamlet (Vladimir Jurowski in the Festival and Duncan Ward for the Tour/Neil Armfield). Beyond Glyndebourne, Tim has worked as assistant conductor to David Parry at Garsington Opera on Will Tuckett's production of L'Italiana in Algeri and to Nicholas Chalmers and Ian Ryan on Thomas Adès's Powder Her Face with Northern Ireland Opera in Belfast and at Nevill Holt Opera. In 2017, Tim also worked as musical assistant on Zesses Seglias's To the Lighthouse at the Bregenzer Festspiele and returned to Belfast to assist Nicholas Chalmers on Così Fan Tutte.
Please get in touch for a full CV.