Born in 1992, Tim Anderson already enjoys an active international career as a conductor, pianist and opera coach. Tim studied at the Junior Guildhall School of Music, London, and at New College, Oxford University, where he held the Joan Conway Scholarship in performance studies as a conductor and an instrumental scholarship as a pianist.
After graduating in 2013, Tim was invited to join the music staff of the Teatro Real, Madrid by the great opera impresario Gérard Mortier. There he conducted a production of Harányi's L'Histoire du petit tailleur as part of the Teatro Real's education programme, and worked as assistant conductor to Till Drömann on a programme of Wagner selections. He also worked as repetiteur on productions of Tristan und Isolde (Marc Piollet/Peter Sellars), Alceste (Ivor Bolton/Krzysztof Warlikowski) and Lohengrin (Hartmut Haenchen/Lukas Hemleb). Casts included Robert Dean Smith, Violeta Urmana, Franz-Josef Selig, Angela Denoke, Franz Hawlata and Christopher Ventris, among other highly distinguished artists. Tim also performed before the international press in conferences preceding Tristan und Isolde (Wagner's Wesendonck Lieder with Lithuanian soprano Ausrine Stundyte) and the world premiere of Charles Wuorinen's Brokeback Mountain (Wuorinen's solo piano work Heart Shadow). At the start of the 2014-15 season Tim joined the staff of the English National Opera as a trainee repetiteur, working on productions of Otello (Edward Gardner/David Alden), The Marriage of Figaro (Jaime Martin/Fiona Shaw), La Fanciulla del West (Keri-Lynn Wilson/Richard Jones) and the world stage premiere of John Adams's The Gospel According to the Other Mary (Joana Carneiro/Peter Sellars). Other recent engagements include performances conducting Hänsel und Gretel in the Sheldonian Theatre, Oxford, work as assistant conductor to Till Drömann on a new production based on Dvorak's Rusalka at Oper Stuttgart, collaboration with Glyndebourne's first Young Composer in Residence Luke Styles on his new opera Unborn in America, and concert performances in London, Stockholm and Mallorca. Tim recently worked as repetiteur and continuo organist for the both the Glyndebourne Festival and Tour revival productions of Handel's Saul, directed by Barrie Kosky and conducted by Ivor Bolton (Festival) and Laurence Cummings (Tour). As well as this, he worked as repetiteur and orchestral pianist in the London Philharmonic Orchestra for Luke Styles and Ted Huffman's new chamber opera Macbeth, which performed both at Glyndebourne and at the Royal Opera House, Covent Garden. He also worked as assistant conductor to David Parry at Garsington Opera on Will Tuckett's production of 'L'Italiana in Algeri' and will return to Glyndebourne to assist Pablo González on 'Don Giovanni' for Glyndebourne Tour 2016. In 2017, Tim will be repetiteur for the world premiere of Brett Dean's new 'Hamlet' (Vladimir Jurowski/Neil Armfield) in the Glyndebourne Festival.
Please get in touch for a full CV.
After graduating in 2013, Tim was invited to join the music staff of the Teatro Real, Madrid by the great opera impresario Gérard Mortier. There he conducted a production of Harányi's L'Histoire du petit tailleur as part of the Teatro Real's education programme, and worked as assistant conductor to Till Drömann on a programme of Wagner selections. He also worked as repetiteur on productions of Tristan und Isolde (Marc Piollet/Peter Sellars), Alceste (Ivor Bolton/Krzysztof Warlikowski) and Lohengrin (Hartmut Haenchen/Lukas Hemleb). Casts included Robert Dean Smith, Violeta Urmana, Franz-Josef Selig, Angela Denoke, Franz Hawlata and Christopher Ventris, among other highly distinguished artists. Tim also performed before the international press in conferences preceding Tristan und Isolde (Wagner's Wesendonck Lieder with Lithuanian soprano Ausrine Stundyte) and the world premiere of Charles Wuorinen's Brokeback Mountain (Wuorinen's solo piano work Heart Shadow). At the start of the 2014-15 season Tim joined the staff of the English National Opera as a trainee repetiteur, working on productions of Otello (Edward Gardner/David Alden), The Marriage of Figaro (Jaime Martin/Fiona Shaw), La Fanciulla del West (Keri-Lynn Wilson/Richard Jones) and the world stage premiere of John Adams's The Gospel According to the Other Mary (Joana Carneiro/Peter Sellars). Other recent engagements include performances conducting Hänsel und Gretel in the Sheldonian Theatre, Oxford, work as assistant conductor to Till Drömann on a new production based on Dvorak's Rusalka at Oper Stuttgart, collaboration with Glyndebourne's first Young Composer in Residence Luke Styles on his new opera Unborn in America, and concert performances in London, Stockholm and Mallorca. Tim recently worked as repetiteur and continuo organist for the both the Glyndebourne Festival and Tour revival productions of Handel's Saul, directed by Barrie Kosky and conducted by Ivor Bolton (Festival) and Laurence Cummings (Tour). As well as this, he worked as repetiteur and orchestral pianist in the London Philharmonic Orchestra for Luke Styles and Ted Huffman's new chamber opera Macbeth, which performed both at Glyndebourne and at the Royal Opera House, Covent Garden. He also worked as assistant conductor to David Parry at Garsington Opera on Will Tuckett's production of 'L'Italiana in Algeri' and will return to Glyndebourne to assist Pablo González on 'Don Giovanni' for Glyndebourne Tour 2016. In 2017, Tim will be repetiteur for the world premiere of Brett Dean's new 'Hamlet' (Vladimir Jurowski/Neil Armfield) in the Glyndebourne Festival.
Please get in touch for a full CV.
