Young Anglo-German conductor Tim Anderson is rapidly emerging as one of the most versatile conductors of his generation. Since graduating from New College, Oxford, Tim has worked in many of the great theatres of Europe and is becoming increasingly known for performances of intensity and high drama, particularly in repertoire of the 20th and 21st centuries. Born in 1992, Tim studied at the Junior Guildhall School of Music, London, and at New College, Oxford, where he held the Joan Conway Scholarship in performance studies as a conductor and an instrumental scholarship as a pianist. He has studied conducting with Peter Stark, Michael Omer and at the Jorma Panula Academy in Helsinki, and has participated in masterclasses with Bernard Haitink. A performance of Hänsel und Gretel while studying at Oxford led to an invitation to the Teatro Real, Madrid by the late Gerard Mortier at only twenty-one years of age. He now enjoys an active international career working on diverse operatic and concert repertoire.
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While working in Madrid, Tim conducted several performances and worked on the music staff for major productions of Tristan und Isolde, Lohengrin and Gluck Alceste. He was then awarded a job at English National Opera, became a regular member of the music team at the Glyndebourne Festival after his work with Ivor Bolton in Madrid, and has worked as a guest at a number of other major theatres and festivals including Oper Stuttgart, the Royal Opera House Covent Garden, the Bregenzer Festspiele, the Adelaide Festival, Garsington Opera, Northern Ireland Opera, Opera North, with the London Philarmonic Orchestra and Birmingham Contemporary Music Group.
Tim Anderson conducts superbly and the production's overall intimacy sears the eyeballs ... a musical feast. |
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Upcoming engagements include Gerald Barry’s virtuosic first opera The Intelligence Park with the London Sinfonietta / Music Theatre Wales / Royal Opera House; assisting on Die Entführung aus dem Serail at the Glyndebourne Festival; Philip Venables’s highly acclaimed Denis and Katya with Music Theatre Wales; conducting Mussorgsky with the National Youth Orchestra of Great Britain’s Inspire orchestra at the Barbican; and conducting the world premiere of Alex Mills’s Leonardo at the Victoria and Albert Museum with internationally renowned viol consort Fretwork.
Recent highlights include his appointment as Associate Conductor of Nevill Holt Opera working on Britten and Mozart, a concert debut with Birmingham Contemporary Music Group at the CBSO Centre, and conducting the critically-acclaimed 30th anniversary production of Mark-Anthony Turnage’s revolutionary opera Greek, directed by librettist and original director Jonathan Moore, and hailed in the press as a ‘dazzling, staggering achievement’. Tim also worked on the music team for the world premiere of Gavin Higgins’s first opera The Monstrous Child at the Royal Opera House in London, worked on the world premiere, tour and subsequent Adelaide Festival revival of Brett Dean’s Hamlet, and assisted Vladimir Jurowski on Das Rheingold with the London Philharmonic Orchestra.
Recent highlights include his appointment as Associate Conductor of Nevill Holt Opera working on Britten and Mozart, a concert debut with Birmingham Contemporary Music Group at the CBSO Centre, and conducting the critically-acclaimed 30th anniversary production of Mark-Anthony Turnage’s revolutionary opera Greek, directed by librettist and original director Jonathan Moore, and hailed in the press as a ‘dazzling, staggering achievement’. Tim also worked on the music team for the world premiere of Gavin Higgins’s first opera The Monstrous Child at the Royal Opera House in London, worked on the world premiere, tour and subsequent Adelaide Festival revival of Brett Dean’s Hamlet, and assisted Vladimir Jurowski on Das Rheingold with the London Philharmonic Orchestra.
2020-21 engagements to be announced soon.
Click here to see all engagements, or get in touch for a full CV.
Click here to see all engagements, or get in touch for a full CV.